{"id":20844,"date":"2020-05-19T09:21:08","date_gmt":"2020-05-19T12:21:08","guid":{"rendered":"https:\/\/souzalima.com.br\/blog\/?p=20844"},"modified":"2024-09-25T09:23:01","modified_gmt":"2024-09-25T12:23:01","slug":"na-musica-ha-doze-notas","status":"publish","type":"post","link":"https:\/\/souzalima.com.br\/blog\/na-musica-ha-doze-notas\/","title":{"rendered":"Na m\u00fasica h\u00e1 doze notas?"},"content":{"rendered":"

Na m\u00fasica h\u00e1 doze notas?<\/h2>\n

N\u00e3o. S\u00e3o sete notas musicais apenas. S\u00e3o doze alturas que consolidam propor\u00e7\u00f5es diferentes ao longo do registro de percep\u00e7\u00e3o humano e da pr\u00e1tica musical. Desde que se consolidou o temperamento em m\u00fasica, no per\u00edodo Barroco, a m\u00fasica ocidental passou a ser organizada com sete notas musicais e doze alturas proporcionais.<\/p>\n

O ouvido humano percebe sons entre 20 hertz e 20000 hertz. Hertz \u00e9 a medida para quantidade de vibra\u00e7\u00f5es por segundo.<\/p>\n

O l\u00e1 mais grave que comp\u00f5e as pr\u00e1ticas musicais \u00e9 de 27,5 hertz. O l\u00e1 que concede refer\u00eancia de afina\u00e7\u00e3o ao temperamento \u00e9 de 440 hertz, principalmente para a m\u00fasica fonogr\u00e1fica j\u00e1 que a m\u00fasica erudita de concerto se permite varia\u00e7\u00f5es em l\u00e1 438 hertz e at\u00e9 442 hertz.<\/p>\n

Observe que l\u00e1 440 hertz gera uma propor\u00e7\u00e3o de 27,5 hertz \u2013 55 hertz \u2013 110 hertz \u2013 220 hertz \u2013 440 hertz.<\/strong><\/h2>\n

O l\u00e1 sustenido ou si bemol possui a frequ\u00eancia de 467 hertz como a mais pr\u00f3xima do l\u00e1 440 hertz. Trata-se de uma outra altura que se repete na percep\u00e7\u00e3o musical proporcionalmente, observe: 29,18 hertz \u2013 58,37 hertz \u2013 116,75 hertz \u2013 233,5 hertz \u2013 467 hertz.<\/p>\n

Uma escala diat\u00f4nica possui sete notas porque as notas exercem tensionamento e resolu\u00e7\u00e3o entre elas. A escala de d\u00f3 maior possui d\u00f3 r\u00e9 mi f\u00e1 sol l\u00e1 si, s\u00e3o sete notas, que poder\u00e3o se repetir nas 7 oitavas e meia de registro ou tessitura presentes na pr\u00e1tica do piano ou de uma orquestra sinf\u00f4nica \u2013 j\u00e1 que se equivalem em tessitura.<\/p>\n

Uma nota cumpre sua fun\u00e7\u00e3o em um per\u00edmetro diat\u00f4nico. E esse per\u00edmetro \u00e9 de 7 notas.<\/strong><\/p>\n

L\u00e1 sustenido e l\u00e1 natural s\u00e3o a mesma nota, mas com alturas diferentes. Se ocorrer movimento entre elas, o que \u00e9 comum desde o per\u00edodo Rom\u00e2ntico, \u00e9 chamado de movimento crom\u00e1tico, parecido com cromatismo das cores, correto? Um semitom crom\u00e1tico tem uma mesma nota com alturas diferentes.<\/p>\n

Si bemol e l\u00e1 natural s\u00e3o notas diferentes, e com alturas diferentes. Esse movimento \u00e9 chamado diat\u00f4nico, porque a poss\u00edvel observ\u00e1-lo em uma escala diat\u00f4nica, um cromatismo nunca ser\u00e1 observado em uma escala diat\u00f4nica, e quando aparecer na pr\u00e1tica musical ser\u00e1 moment\u00e2neo. Quando duas notas diferentes est\u00e3o separadas por um semitom, formamos semitom diat\u00f4nico.<\/p>\n

Observar isoladamente pode n\u00e3o fazer tanto sentido, mas sair por a\u00ed falando e publicando na internet que s\u00e3o 12 as notas musicais \u2013 \u00e9 muito complicado<\/strong>. E passa de uma informa\u00e7\u00e3o que parece valiosa para um complicando a m\u00fasica.<\/p>\n

Precisamos entender que altura e nota s\u00e3o coisas diferentes. A m\u00fasica ocidental atua de maneira grafada com 12 alturas que repetem suas propor\u00e7\u00f5es, mas s\u00e3o apenas 7 notas musicais.<\/h2>\n

Da\u00ed quando o estudante de m\u00fasica vira um vestibulando e comete essas gafes a culpa \u00e9 de quem?<\/strong><\/p>\n

#FiqueEmCasa<\/strong><\/p>\n

Fuja das m\u00e1s informa\u00e7\u00f5es.<\/p>\n

Depois #VemProSouzaLima<\/strong><\/h2>\n","protected":false},"excerpt":{"rendered":"

Na m\u00fasica h\u00e1 doze notas? N\u00e3o. S\u00e3o sete notas musicais apenas. S\u00e3o doze alturas que consolidam propor\u00e7\u00f5es diferentes ao longo do registro de percep\u00e7\u00e3o humano e da pr\u00e1tica musical. Desde que se consolidou o temperamento em m\u00fasica, no per\u00edodo Barroco, a m\u00fasica ocidental passou a…<\/p>\n","protected":false},"author":3,"featured_media":20845,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[115,368,7,595],"class_list":["post-20844","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estudo","tag-blog-souza-lima","tag-destaques","tag-joao-marcondes","tag-na-musica-ha-doze-notas"],"yoast_head":"\nNa m\u00fasica h\u00e1 doze notas? - Blog Souza Lima<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/souzalima.com.br\/blog\/na-musica-ha-doze-notas\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Na m\u00fasica h\u00e1 doze notas? - Blog Souza Lima\" \/>\n<meta property=\"og:description\" content=\"Na m\u00fasica h\u00e1 doze notas? N\u00e3o. S\u00e3o sete notas musicais apenas. S\u00e3o doze alturas que consolidam propor\u00e7\u00f5es diferentes ao longo do registro de percep\u00e7\u00e3o humano e da pr\u00e1tica musical. 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